The 1960s marked Andy Warhol's transition from a commercial artist to a leading figure in Pop Art. His iconic works, such as the Campbell’s Soup Cans and Marilyn Monroe portraits, utilized silkscreen printing to create multiple copies, mirroring consumer culture's mass production. Warhol's art blurred the lines between commercial and fine art, elevating everyday objects and celebrities to high art status. Warhol's studio, The Factory, became a creative and social hub in 1962, attracting a diverse mix of artists, musicians, and celebrities. The Factory's vibrant atmosphere fostered collaboration and experimentation, significantly influencing Warhol's work, including his experimental films like "Sleep" (1963) and "Empire" (1964), which challenged conventional cinema by focusing on mundane activities and real-time experiences. In the mid-60s, Warhol embraced the concept of "Business Art," viewing art creation as a commercial enterprise. This philosophy was embodied in Interview magazine, launched in 1969, which featured celebrity interviews and extended Warhol’s exploration of fame and media. The 1970s saw Warhol shift towards portraiture, creating portraits of wealthy patrons and celebrities using his silkscreen technique. These works reflected his interest in the commodification of fame and identity. Warhol's personal life, marked by his openness about his sexuality and relationships with muses like Edie Sedgwick, influenced his art and social milieu. In the late 1970s and early 1980s, Warhol continued to innovate, experimenting with computers and television. Despite health challenges following a near-fatal shooting in 1968, he remained prolific, producing art, writing, and participating in multimedia projects. Warhol's influence extended beyond art to music, fashion, and popular culture, making him a central figure in 20th-century culture. Warhol's legacy endures through his vast body of work, which continues to inspire and challenge artists and audiences. His exploration of the intersections between art, commerce, and popular culture made profound statements on consumerism and fame, cementing his status as one of the most influential figures in contemporary art history.